Earthbag houses by Cal Earth

Nader Khalili’s students and others have been spreading the earthbag concept far and wide. Earthbag houses have been built in Arizona by Dominic Howes and in Utah by Kaki Hunter and Doni Kiffmeyer, and structures using earthbags have appeared in Mexico, Canada, and Mongolia. Straw builder Matts Myhrman has used earthbags for the foundation of a straw-bale dome, and Steve Kemble has used bags to create the first floor of a house in the Bahamas.

There is still much to be researched and experimented with until this technology can be considered mature. Current work by Cal Earth with the ICBO should open the door to many more buildings being created using earthbags. As natural building innovators continue to experiment by building with bags, many new innovations are sure to develop.

Joseph F. Kennedy is an architect, writer and peripatetic scholar of natural building and ecological design. livingearth62@hotmail.com

Cal-Earth: California Institute Of Earth, Art & Architecture
Emergency Shelters – Vaulted House – Eco Domes – Planetary Architecture
Cal-Earth Website

Build An Emergency Sand-Bag Shelter Home – 3 x A4 Page Colour PDF File: http://loveforlife.com.au/files/KhaliliEmergShltr_0.pdf (Attachment is also located at the bottom of this page)

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What Is Cal-Earth

What Is Cal-Earth

Cal-Earth (The California Institute of Earth Art and Architecture) is at the cutting edge of Earth Art and Ceramic Architecture technologies today. Founded and directed by the internationally renowned architect and author Nader Khalili in 1986, it’s scope spans technical innovations published by NASA for lunar base construction, to design and development of housing for the world’s homeless for the United Nations.

Donate Now: https://www.egrants.org/donate/index.cfm?ID=2093-0|705-0

Cal-Earth is a non-profit foundation dedicated to research and education of the public in environmentally oriented arts and architecture. It’s philosophy is based on the equilibrium of the natural elements of earth, water, air, and fire, and their Unity at the service of the arts and humanity.

Nader Khalili’s Message

humans are members of the same body
all created from the same essence
if one limb is in pain
others cannot be at ease
if you are indifferent to other people’s pain
you cannot be called a human
– Saadi – (13th century Persian poet)

The world’s focus on Global Warming with its unpredictable future is happening while the world is trying to recuperate from the catastrophic central Asian Earthquake as well as the Asian Tsunami, which also happened on the anniversary of the great Bam earthquake in Iran. Tens of thousands have lost their lives – most communities wiped out in a matter of minutes or hours. The hurricanes on the South Coast of the United States have created an unprecedented disaster requiring great cost and effort to deal with. Added to this are the Central American hurricanes, refugees in Darfur, as well as continuous victims of AIDS who leave behind huge numbers of homeless orphans.

Emergency help has been rushing and criss-crossing the globe to find survivors – doctoring, feeding, crowding them into temporary shelters and relocating them. There are not enough tents in the world to shelter the latest Central Asian earthquake victims who are facing more disaster from the winter freeze and winds.

The greatest costs of rebuilding after the disasters goes to the infrastructure and human shelter.

The need is ever more urgent to build self-help, emergency shelters which can become sustainable, permanent structures and are more resistant to more disasters.

The accelerating rate of disasters in the world and the historical increase in the loss of human life and property, must create a sense of urgency for the U.N. and other agencies to pay serious attention to alternative ways of building.

There is a Sustainable Solution to Human Shelter, based on Timeless Materials (earth, water, air and fire) and Timeless Principles (arches, vaults and domes). Every man and woman should be able to build a shelter for his or her family with these universal elements, almost anywhere on the earth and other planets. These principles, interpreted into the simplest form of building technology have created emergency shelter which can become permanent houses, and which have passed strict tests and building codes. Since 1975 we have been dedicated to researching and developing this low-cost, self-help, eco-friendly technology which can resist disasters, and to offer it to humanity. The only missing link is to educate humans how to use these timeless techniques, developed at Cal-Earth Institute, to fit their own culture and environment.

PRESS RELEASE

Self-Help Emergency Shelter for Central Asian Earthquake Disaster

Cal-Earth Institute is ready to offer its help to Families, International, Governmental and Non-governmental organizations in the earthquake disaster region for emergency shelters.

Basic materials needed are on-site earth, sandbags, barbed wire, and human labor.

To the best of it’s ability as a small institute it will contribute its technology using the following methods:

1) Provide Distance Learning via live internet connection instructing how to construct the emergency shelters directly to relief organizations in the disaster area.

2) Provide training at Cal-Earth Institute to selected individuals in intensive hands-on workshops who are coming from the disaster regions to teach and supervise the construction of shelters. The training is based on Cal-Earth’s existing educational materials.

This emergency shelter technology can be used for the reconstruction of both permanent housing as well as other buildings and infrastructures.

Cal-Earth Institute is a non-profit educational and research organization in Hesperia, California. The Superadobe emergency shelter technology, which has been designed and developed by architect Nader Khalili and his associates at Cal-Earth Institute, has been built and successfully tested for California’s strict building codes. It is patented in the U.S. and overseas but is now offered freely to those in need in the disaster region.

The shelters and technology have been visited and endorsed by the United Nations emergency response in 2001, and recently given the 2004 Aga Khan award for architecture for Sandbag Shelters – see link for description, photos and video clip.

PRESS RESPONSE

Reuters Alertnet: “War zones yield cheap shelter for tsunami homeless” (sandbags and barbed wire)

– from Reuters Alertnet:

” My goal is to use distance learning through the Internet,” he said. “If we could set up a regional center, we can broadcast building classes direct from Cal-Earth,”

” We can cut through the bureaucracy and go directly to the people … We could do it with a fraction of the foreign aid that has been offered to Bam. ”

– from the Washington Post:

” Bypass the U.N., bypass government, people can start building their own. ”

Dear friends,
We have been overwhelmed by your calls, emails and proposals and were very happy to see such devotion and concerns surfacing among Pakistanis. We apologize for not responding. It has become impossible for us to attend the avalanche of emails and calls not only from Pakistanis but other disasters.

Cal-Earth is a small non profit organization with great ideas and dreams and meager means. Architect Nader Khalili has given his full attention to the mission of shelter for the needy and disaster stricken since 1975. He set up Cal-Earth Institute in 1991 specifically for Superadobe, sandbag and barbed wire technology that he had designed to be the most accessible for humans around globe. This system uses on-site damp earth for temporary structures, and stabilized earth with a small amount of cement/lime for long term structures along with needed doors and windows, provided the necessary buttressing and waterproofing are added. The rest of the story is on our website, in the News Articles’ section.

Our not responding has been because we have been intensely working to help deal with these disasters especially with the emergency shelter for the great earthquake victims in Pakistan. And we are happy to share the following news with you:

1. A hands-on teaching site has now been set up by the SASI foundation in cooperation with the government in Rawalpindi and prototypes are being built which can be suitable to the local earthquake sites’ soil and conditions. Two of our trained apprentices are teaching and helping on location. We encourage you to collaborate, participate, learn, volunteer, and support. They are making the Superadobe bags available, while they are trying to set up several teaching centers in different regions.

2. To respond to this great disaster when victims are threatened every day for their lives because of fast approaching winter, as well as other disasters around the globe, we are focusing on giving more information about the Emergency Shelter with the Superadobe building method. We are diligently working to finish a summary of the relative section of Mr. Khalili’s unpublished, soon to be finished, manuscript, the Superadobe Manual, to be placed on the Emergency Shelter page of Cal-Earth’s website.

3. We are hoping to find volunteer staff to respond to the avalanche of correspondence while we are planning to do Distance Learning sessions to speed up the training, when funding becomes available. However, we have accomplished a lot with little so far and are confident that we will sustain.

We believe that your networking together can create a critical mass, to help the disaster stricken people and support the continuation of design and teaching, including Distance Learning, of this sustainable solution for Pakistan and other regions, now and in the future.

Iliona Outram
program director
Cal-Earth Institute

To help achieve Cal-Earth Institute’s goals please make a donation via the donation button.

Cal-Earth Inc. (Institute) is a California 501C3 non-profit foundation directed by Khalili, whose founding mission is:

“Research and education of the public in environmentally oriented arts and architecture, based on the equilibrium of the natural elements of earth, water, air, fire, and their Unity at the service of the arts and humanity”

“Every man and woman should be able to build a home for his or her family using the earth under their feet and integrating some features of modern technology to make their homes resistant to fire, flood, hurricane, earthquake and other disasters.” -NK

NADER KHALILI, Architect and Author

photo by George Azar

Nader Khalili, California architect/author is the world renowned Iranian-American Earth Architecture teacher and innovator of the Geltaftan Earth-and-Fire System known as Ceramic Houses, and of the Superblock construction system. Khalili received his philosophy and architectural education in Iran, Turkey, and the United States. He has been a licensed architect in the State of California since 1970, and has practiced both in the U.S. and abroad. Since 1975 he has been involved with Earth Architecture and Third World Development, and is a U.N. (UNIDO) consultant for Earth Architecture, the Ceramic Houses and SuperBlock Technologies. In 1984 the award for “Excellence in Technology” went to him for the innovation of the Ceramic Houses system, from the California Council of the American Institute of Architects (CCAIA), and in 1987 Khalili’s project “Housing for the Homeless: Research and Education” received a Certificate of Special Recognition from the U.N. International Year of Shelter for the Homeless and U.S. Department of Housing and Urban Development (HUD).

Since 1984, Lunar and Space habitation have become an integral part of his work; his “Magma Structures” design, based on the Geltaftan (Ceramic Houses) System, and “Velcro-Adobe” system (later to become the Superblock/ sandbag and barbed wire system) were presented at the 1984 NASA symposium, “Lunar Bases and Space Activities of the 21st Century”. He was subsequently invited to Los Alamos National Laboratory as a visiting scientist. He has presented papers and has been published since 1984 in several symposiums and publications including those of NASA, and the “Journal of Aerospace Engineering” for which he was awarded by the American Society of Civil Engineers. Khalili was a member of the team of the “Lunar Resources Processing Project,” along with the Princeton -based Space Studies Institute, McDonnell Douglas Space Systems, and Alcoa.

Since 1982 Khalili has been directing the Architectural Research Program at SCI-Arc, California. He is the director and founder of the Geltaftan Foundation, and the California Institute of Earth Art and Architecture (Cal-Earth) since 1986. Current projects include the Sustainable Desert Village and Hesperia Museum & Nature Center, the Rodeo/Arena for the Mojave Desert city of Hesperia, erosion stabilization of Hesperia Lake, a FEMA related project. At Cal-Earth he continues building and testing prototypes in Earth Architecture for inclusion in the Uniform Building Code. Recent work has been funded by grants from the National Endowment for the Arts, the Katharine Tremaine Foundation, the Rex Foundation, the Leventis Foundation, Our Ultimate Investment Foundation, the Turner Foundation, and the Flora Family Foundation.

His five books were written while evolving these techniques and his philosophy of architecture. “Racing Alone”, and “Ceramic Houses and Earth Architecture: How to Build Your Own”, while developing the Geltaftan “Earth and Fire” system for building ceramic houses; “Sidewalks on the Moon”, while designing for the moon, a journey through tradition and technology; and “Rumi, Fountain of Fire”, translations of 75 poems from the Persian language mystic poet, Rumi whose wisdom concerning humanity and the elements of Earth, Water, Air and Fire are the inspiration behind his work; and “Rumi, Dancing the Flame”, 300 Rubayiat short poems of Rumi.

photo by George Azar

Khalili’s “Works and Words” have been widely exhibited and published in the US and internationally including the Centre Georges Pompidou in Paris and the Institute of American Indian Arts Museum in Santa Fe, New Mexico; and broadcast on national and statewide TV channels such as the BBC World Service and Voice of America. Over 100 hands-on workshops and lectures have been conducted in the U.S. and abroad, from Princeton University/ Princeton New Jersey, International Space University/MIT Boston Mass., to inmates of Chino and other prisons, from NASA (National Aeronautics and Space Administration) / Washington D.C., Los Alamos National Laboratory/ New Mexico, to many Native American Reservations, the Eight Northern Pueblos/ San Juan New Mexico, and from children in South Central Los Angeles hospitals to the Universities of California, national and international universities.

Khalili’s architectural works also include: the design of a future-oriented community for 5,000 inhabitants for Future City/Villages, Intl. in New Cuyama, California in 1988 (prototype structures were built on-site, and pre-fabricated vault modules were built, fired and glazed at a brick factory); Malekshahr of Isfahan, a community for 20,000, which was designed and partially constructed by 1979; the Middle East headquarters of Dupont/ Polyacryl was designed and supervised, completed in 1978; over 100 projects of conventional buildings ranging from high-rise to single residence.

Geltaftan Foundation/ Cal-Earth: 10376 Shangri La Avenue, Hesperia CA 92345.
Tel: (760) 244-0614 Fax: (760) 244-2201
Email: calearth@aol.com
website: http://www.calearth.org

LECTURES AND WORKSHOPS CONDUCTED BY KHALILI INCLUDE:
Princeton University/ Princeton, New Jersey
Space Studies Institute/ Princeton, New Jersey
International Space University/ MIT, Boston, Mass.
Carnegie Mellon Institute/ Pittsburgh, Pennsylvania
Los Alamos National Laboratory, New Mexico
National Aeronautics and Space Administration/ W D.C.
Ohio State University/ Columbus, Ohio
California Art Education Assoc. Conf./ San Diego, Calif.
Ball State University/ Muncie, Indiana
Rensslaer Polytechnic Institute/ Troy, New York
Catholic University of America/Washington, D.C.
North Dakota State University/ Fargo, North Dakota
University of Wisconsin/ Milwaukee, Wisconsin
University of Arizona/ Tucson, Arizona
Pitzer College/ Claremont, California
Claremont Graduate School/ Claremont, California
California Polytechnic Institute/ San Luis Obispo
California Polytechnic Institute/ Pomona
University of California/ Riverside
University of California/ Santa Barbara
University of California/ Los Angeles
Southern California Institute of Architecture
Southern California Ceramic Association
Ojai Foundation/ Ojai, California
Institute of American Indian Arts/ Santa Fe, New Mexico
Eight Northern Pueblos/ San Juan, New Mexico
College of Santa Fe/ Santa Fe, New Mexico
Rough Rock, Navajo Reservation/ Arizona
Tsaili Community College/ Navajo Reservation, Arizona
Lindisfarne Institute/ Creston, Colorado
University of Baja/ Mexico
San Jose/ Costa Rica
University of Cairo/ Egypt
University of Tehran
United Nations (regional conference) Tehran/ Iran
Eos Institute/Laguna, California
American Institute of Architects/Los Angeles
American Institute of Architects/Inland Empire
Arcosanti/Arizona

TELEVISION AND RADIO PRESENTATIONS
Channel 28, Los Angeles, Public Broadcasting System
Channel 28, Los Angeles, “FUTURE” PBS
Channel 2, Los Angeles, a CBS Station
Channels 9, 4, and 8, Los Angeles
KPFK Radio, Los Angeles
Group W, Westinghouse Cable TV/ Sierra Madre, Cal..
KCST, International Channel, Los Angeles, California
Voice of America English and Farsi Services
BBC World Service, London
CNN News
BBC TV
NBC
CBS
PBS
Discovery channel
National Geographic
and numerous other newspaper, magazines and online publications such as Space.com.

EXHIBITIONS
Institute of American Indian Arts Museum, Santa Fe, NM
Centre Georges Pompidou/ Paris, France
Museum of Contemporary Arts/ Tehran, Iran
Various Universities and Educational Galeries in U.S.

for a more complete profile, please search Google.com – Nader Khalili

“Hesperia Domes pass Seismic Test….Earth Architecture has made it to the big leagues” Victor Valley Daily Press

“We think this design has the potential of revolutionizing the housing industry! said Hesperia Mayor.” Hesperia Resorter

“Look inside the demonstration houses he’s built and you see spacious beauty. They meet all building codes, are energy efficient, weathertight, and so solid they passed the most gruelling stress tests. “- CNN World News

“The building was stronger than the testing equipment .”” – (Hesperia building official)
“People are coming from all over the world to Hesperia, California, to learn this simple way of building.” – (Hesperia Mayor) – CNN World News

“The buildings are cool in summer and warm in winter, probably the most environmentally friendly homes you’ll ever come across….. ” -BBC (British Broadcasting Corp.)

“To this visionary architect the earth houses… are the obvious response to 21st century housing shortages, deforestation, the energy crunch and even the physical sickness brought on by the toxic exhalations of modern building materials. ” – Orange County Register

” Cutting Edge Housing: In Hesperia Architect Nader Khalili is showing off his sandbag home… Malibu architect Eric Lloyd Wright, after viewing it said it’s just the kind of organic architecture his grandfather talked about, and engineering tests show it’ll hold up to earthquakes…”- Los Angeles Times

“We haven’t had people with this kind of vision since Frank Lloyd Wright died’, said Hesperia redevelopment manager….” – Victor Valley Daily Press

“A Hesperia Architect has seen the future of affordable housing.” – San Bernadino Sun

“His hope is to create truly low-cost housing in many parts of the world.” – AIA Journal : Architecture

“The Excellence in Technology Award, California Council/American Institute ofArchitects, went to him for his work.” – Los Angeles Times

“Without this spirit of pioneering no thoroughgoing changes can take place to create anenvironmentally harmonious architecture.”- LA Architect

“…Creating a city from the dust under their feet using a variety of earthen construction techniques.”- Automated Housing

“Making Bricks without Clay: Sandbags and barbed wire, often the materials of war, havebecome the building blocks of peace at Cal-Earth in Hesperia.”- Daily Press

“…a family should be able to walk to a piece of land and build themselves a homewithout timber, steel or concrete. Just the earth alone should suffice.”- Ceramic Monthly

“… a vision that could be of considerable value to architecture in development”- Mimar

“His architecture has a quasi-mystic character…”- Centre Georges Pompidou

“It came about because of the sun, because of the wind, because of the earth”- Permaculture Journal

“A revolution in the traditional architecture of Iran…” Museum Contemporary Art, Tehran

“It is cool in the summer, warm in the winter, water-and fireproof, and beautiful.”- L.A. Weekly

“Earth Architecture recieves a warm welcome from the third world to outer space.”- House and Garden

“Khalili is also at work on prefab ceramic vaults, modular units that can be trucked and linked together easily. And sometimes his vision goes much, much further: he’s worked with NASA on scenarios in which the moon’s soil could be melted, then, after molding, fused into structures by concentrated rays of the sun.”- Mother Jones

“A novel ‘magma structure’ concept presented by him…proposed melting mounds of lunar soil with focused sunlight to create a pliable material that could be sculptured into facilities …at the NASA symposium, ‘Lunar Bases and Space Activities of the 21st Century.’ “- Aviation Week & Space Tech.

“Khalili’s perspective on lunar architecture provides an interesting and thought-provoking contrast to ‘orthodox’ scenarios.”- NASA’s Lunar Bases and Space Activities of the 21st Century, editor W.W.Mendell.

“…he draws from thousands of years of traditional architecture in his effort to build modern, affordable, sustainable housing…” – RAN/Turner Foundation – Cut Waste not Trees

“… in Hesperia, the houses were beautiful, well-insulated, structurally rigid, and cost almost nothing to build.” – Los Angeles Times

Lunar, Martian, and planetary Architecture

Click here for Lunar Structures Generated and Shielded with On-Site Materials

MAGMA, CERAMIC, AND FUSED ADOBE STRUCTURES GENERATED IN SITU

E. Nader Khalili

The accumulated human knowledge of “universal elements” can be integrated with space-age technology to serve human needs on Earth; its timeless materials and timeless principles can also help achieve humanity’s quest beyond this planet. Two such areas of knowledge are in earth architecture and in ceramics, which could be the basis for a breakthrough – in scales, forms, and functions – in low gravity fields and anhydrous-vacuum conditions. With the added missing link of the element of fire (heat), traditional earthen forms can be generated on other celestial bodies, such as the Moon and Mars, in the form of magma structure, ceramic structure, and fused adobe structure. Ceramic modules can also be generated in situ in space by utilizing lunar or meteoritic resources.

TIMELESS MATERIALS – TIMELESS PRINCIPLES
The traditional techniques of building without centering, i.e., leaning-arches, corbelling, and dry-packing can have greater applications in lower gravity fields, as well as higher material strength, than in the restricted conditions of these techniques’ terrestrial origins. At the same time, the “high-tech” heat-obtaining skills of solar heat, plasma, microwave, and melting penetrators can provide ceramic-earth shelters and appropriate technology for both developed and underdeveloped nations. Through understanding and utilizing the principles of “Yekta-i-Arkan” – unity of elements – integration of tradition and technology in harmony with the laws of nature is possible at many levels of microcosm and macrocosm.

MAGMA STRUCTURE
Lunar base structures can be generated and cast, based on the natural space formations created by magma-lava flow such as tubes and voids. By utilizing existing lunar contours or by forming mounds of lunar soil to desired interior spaces, structures can be cast in situ with the generated magma. Either way, the upper layers of the mounds and the apex, consisting of unprocessed lunar resources, can generate magma flow with focused sunlight (Criswell, 1976). Ceramic-glass (Grodzka, 1976) and/or other lunar fluxes may be added to the main composite for lowering the melting temperature. Basalt melting point, 900’ to 1200’C, can be lowered to glass composites’ melting point with added lunar flux. As the molten composite flows with the low gravity crawl, the lava crust can be formed in spiral, circular, or multi-patterned rib troughs on the mound. A controlled flowing magma can cast single- or double-curvature monolithic shell structures. The underlying loose soil mound can then be excavated and packed over the monolithic shell for radiation/thermal/impact shielding (Carrier, 1976). Since high depth of necessary soil coverage over the structure is detrimental to both architectural flexibility and harmonious interaction of inner and outer space environments, the variable magma viscosity can be utilized to reduce the estimated 2-m thickness (Land, 1984) of the packed soil protections depending on material composites and attained temperature degree/time parameters. The viscosity of the generated magma and the packed regolith can counterbalance internal atmospheric pressure, and the semi-glazed interior can provide an airtight membrane. The pliability of the magma medium can present new dimensions in the creation of sculptured interiors for the ultimate functional utilization of the generated spaces. It also offers an aesthetic dimension, since the molded forms conform to human generic non-angular tendencies. The organic material of magma and the possibilities for ceramic glazing of the interior will open a new era in integration of the arts to scales unattainable for humans under the limits of terrestrial conditions. Magma materials, basaltic in particular, have produced agricultural soils and with suitable atmospheric conditions have proved to produce vegetation. Plant successions have taken place in magma-lava metamorphosis in terrestrial lava tubes and voids. Many examples of flora can be seen in old lava beds of the volcanic regions of the world. Similar conditions will be present in lunar magma structures when the temperature- moisture ambient exists for a life-supporting environment. Thus, common spaces of lunar bases could be designated as mini-agricultural zones that could both generate suitable atmosphere to sustain human life and provide supplemental nutrition resources. Natural lava structures, such as Craters of the Moon National Monument, can provide case studies in the design development stages. Research is needed to determine material composites, magma crust formation patterns, and span limitations.

PREFABRICATED MAGMA MEMBERS
Conventional structures can be built with magma in lunar base complexes by prefabricating structural members. Beams, columns, panels, and connections can be prefabricated with generated magma composed of unprocessed lunar resources fused with solar heat. Magma-lava solidified structural members can be reinforced with fibers or reinforcing mesh produced from lunar resources. The precast panels and members can be post-tensioned by tendons or fused with spot mortar composed of similar magma materials. Precast magma and ceramic members can be shaped to fit desired forms and functions. Lunar soil troughs and fused regolith layer form work can be utilized for casting systems.

CERAMIC STRUCTURE
The use of shielding ceramic tiles on the space shuttle points to the potential of ceramic materials for lunar and space applications. Ceramic structures of limited spans can be cast in situ on lunar sites; they can also be generated in space. On lunar sites, a centrifugally gyrating platform – a giant potter’s wheel – featuring adjustable rims with high flanges can be utilized for the dynamic casting of ceramic and stoneware structures. A mass of lunar resources can be “thrown” in the stationary center zone of the platform and melted by focused sunlight to flow to the periphery rotating zone and cast desired shapes. Known lunar resources can also be spun on the same platform to create tensile fiber; by integrating the two operations, monolithic ceramic structures with tensile fiber reinforcing layers can be generated. Double-shell ceramic structures sandwiched with space and/or packed with insulating materials can provide radiation, thermal, and impact shielding. Such units can be used singularly for lunar camps or combined around a common hub and/or spine to form a lunar base complex. The centrifugal platform system with its adjustable rim flanges can be utilized for lunar base infrastructure parts: pipes, ducts, and tunnel rings. Prefabricated sections for utility sheds can also be formed in single- or double-shell modules. In space, a centrifugally gyrating platform moving in three dimensions can create more variations of ceramic structured modules than is possible in terrestrial or gravity fields. Attached to a space station, the gyrating platform can generate ceramic modules in situ. The resources for ceramic structures can either be of lunar or martian origin or, in space, from captured meteoroids.

FUSED ADOBE STRUCTURE
Lunar base structures can be constructed in situ utilizing lunar adobe blocks produced from unprocessed lunar soil or the by-products of industrial mining operations. Lunar adobe blocks can be formed by the fusion of lunar resources with solar heat. It is anticipated that vacuum conditions and the essentially zero-moisture content of lunar soils should significantly reduce thermal diffusity (Rowley, 1984). Lunar adobe blocks can be used to build structures without form work, employing the earth-architecture techniques of dry-packing, corbelling, and leaning-arches (Khalili, 1986). The low gravity field and vacuum conditions, which allow for a smaller angle of repose and enhance lunar soil cohesion (Blacic, 1984), will give greater opportunity, in the case of the leaning-arch technique, for larger spans and shallower vaults and domes. The same advantages will cause the soil-packed covering to follow desirable contours for more flexible interaction of interior and exterior space and solar orientation. Fused spot-mortar or lunar dust sprayed at fusion point temperature can be used to bond the blocks in medium and large span structures. Arches, domes, vaults, and apses can be constructed to fit the contours of the moonscape; these curved surfaces can create sun and shade zones that are functionally desirable. For functional or aesthetic reasons, total or partial interior ceramic glazing of lunar adobe structures can be done with lunar resources containing glass (Heiken, 1976) and other fluxes by solar heat fusion or plasma technology. The difficulty of mechanical separation of lunar dust can be solved by the bulk use of the soil at its powder stage, involving pre-heating the dust and guniting it on the structure at the point of fusion, The techniques of earth-architecture and the human skills that have evolved to deal with natural materials and to meet the historic challenges of harsh environments and terrestrial gravity can put future men and women in direct touch with the lunar world. Discovering suitable dimensions of blocks, techniques of construction, and appropriate material composites while developing their own sense of unity with the lunar entity can be the start of human independence from Mother Earth, creating shelters in the heavens. The organic growth of lunar architecture, with its own materials and equilibrium of elements can be used to initiate an indigenous and ecologically balanced human environment without damaging the heavenly body. On Earth, one of the main tasks of architects, engineers, and builders has historically been nothing but winning the fight against gravity; now and in the future, the chance for victory on the Moon will be six times as great as it has been here on Earth.

INITIAL IN SITU CONSTRUCTION
Locating a lunar lava tube may well be one of the first stages of setting up a lunar base site. Lava tubes can provide the most expedient and economical way of starting an indigenous lunar architecture. Terrestrial lava tubes are the best design model for exploring the development of appropriate life-supporting environments in lunar lava tubes. Either at the initial stage or in the following phases of lunar base construction, locating and utilizing lava tubes can be of great value. An immediate construction system for the lunar base, after the initial camp setup, can utilize unprocessed lunar resources in a non-mechanized construction system. This system uses existing rocks of different sizes and dry-pack techniques. The low gravity field and higher rock fracture strength give added advantages for larger spans of corbelling and leaning-arch earth-structure systems. Meteoroid and/or indigenous rock structures covered with lunar soil for radiation and thermal shielding can provide immediate, non- life-supporting shelters. Structures built with the same techniques can be fitted with an airtight fabric mesh for human habitation (Blacic, 1984).

PAVING AND LUNAR DUST STABILIZATION
The lunar soil, with a particle size of about 70 microns, which adheres to everything and chums up with vehicular traffic, needs to be stabilized (Carrier and Mitchell, 1976). Fusion of the top layers of lunar soil with focused sunlight can form a magma-lava crust to arrest unstable lunar dust. Spacecraft landing pads, vehicular traffic roads, and pedestrian walkways can be paved with solar heat by on-spot fusion of the top layers, penetrating to desirable depth. Unprocessed lunar soil can be fused by solar energy via a manual or automatic and remote control “paving” vehicle. Inappropriate regolith areas can be topped with a layer of appropriate lunar soil before its fusion. For low temperature fusion, lunar fluxes can be sprayed on top of the soil prior to introducing solar heat. Paving surfaces of heavier traffic areas can be constructed from composites fused to ceramic and stoneware consistency with desired colors and textures. As a general rule, it is the use of the universal principles of the terrestrial element of fire (heat) – the solar rays – that must be thought of at the forefront of mediums and materials for planetary base design and construction. Adhering to the philosophy of the use of local resources, human skills, and solar energy, we can achieve our quests on the Moon, Mars, and beyond. We must learn from the accumulated human knowledge of earth-architecture, which has sheltered humans in the harshest conditions. Each person going to the Moon, regardless of his or her work, must be aware of these fundamental principles and techniques to participate in creating an indigenous architecture to form their communities, not only because of economic benefit but also because of spiritual reward. As an old Persian saying goes, “Every man and woman is born a doctor and a builder – to heal and shelter himself.”

Acknowledgments. The Geltaftan Group, consisting of Manouchehr Sedehi, Mahmoud Hejazi, Ezzatollah Salmanzadeh, Ali Gourang, Ostad Asghar, and A. A. Khorramshahi, supported my work in earth-and-fire developments. Eyal Perchik, Alessandra Runyon, Tsosie Tsinhnahjinnie, Steven Haines, Ellwood Pickering II, Barclay Totten, students at the Southern California Institute of Architecture, have helped advance my research work.

REFERENCES
Blacic J.D. (1984) Structural properties of lunar rock materials under anhydrous, hard vacuum conditions (abstract). In Papers Presented to the Symposium on Lunar Bases and Space Activities of the 21st Century, p. 76. NASA/ Johnson Space Center, Houston. Carrier W. D. III and Mitchell J. K. (1976) Geotechnical engineering on the Moon (abstract) In Lunar Science VII, Special Session Abstracts, pp. 92-95. Lunar Science Institute, Houston.
Criswell D. R. (editor) (1976) Lunar Science VII, Special Session Abstracts (on Lunar Utilization), pp. iii-vi. Lunar Science Institute, Houston.
Grodzka P. (1976) Processing lunar soil for structural materials (abstract). In Lunar Science VII, Special Session Abstracts, pp. 114-115. Lunar Science Institute, Houston.
Heiken G. (1976) The regolith as a source of materials (abstract). In Lunar Science VII, Special Session Abstracts, pp. 48-52. Lunar Science Institute, Houston.
Khalili E. N. (1986) Ceramic Houses. Harper and Row, San Francisco. In press.
Land P. (1984) Lunar base design (abstract). In Papers Presented to the Symposium on Lunar Bases and Space Activities of the 21st Century, p. 102. NASA/Johnson Space Center, Houston.
Rowley J. C. (1984) In-situ rock melting applied to lunar base construction and for exploration drilling and coring on the moon (abstract). In Papers Presented to the Symposium on Lunar Bases and Space Activities of the 2lst Century, p. 77. NASA/Johnson Space Center, Houston.

Hesperia, California MUSEUM SANDBAG GALLERY MUSEUM RUMI DOME GALLERY

On April 19th, Earth Day weekend 1996, the City of Hesperia Recreation and Park District broke ground to construct the Hesperia Museum and Nature Center, the first of it’s kind in the world, legally permitted to be built totally of earthen construction, as part of the Desert Village, Rodeo/Arena and other futuristic programs in Hesperia.

The complex of fourteen domes and two vaults in earth and ceramics is designed by internationally renowned architect and author Nader Khalili, founder of the California Institute of Earth Art and Architecture (Cal-Earth), who has devoted the last 20 years to developing simple disaster safe Earth Architecture technologies along with his associates and apprentices. For these he has won acclaim from NASA, CCAIA, and ASCE, for his proposals for building on the moon and Mars and worked with space science organizations in the U.S.

The project was approved by the Hesperia Building Department in consultation with the ICBO (International Conference of Building Officials) after successful static and dynamic load testing for wind, snow and earthquakes on full scale prototypes at Cal-Earth in Hesperia. The extensive engineering analysis and design, and the tests, were devised by Phill Vittore, a world specialist in dome engineering and structural design.

The architect’s innovations of Superadobe (mile-long sandbags and barbed wire construction) and Ceramic Houses (fired in-place adobe structures) are seen as solutions to global deforestation by organizations such as the Turner Foundation and Rex Foundation (Grateful Dead) who have lent their sponsorship along with other organizations to work at Cal-Earth.

The United Nations with whom Khalili has built housing prototypes usimg these technologies see these as the answer to affordable housing worldwide and emergency relief housing because of their efficient simplicity.

The Hesperia Museum and Nature Center sets the most important precedent for building with earth in the American fast-track mainstream in a harsh climate. They will be built with standard contractors’ equipment and skills, by community participation, and by the Laura Huxley Teenage Program (Our Ultimate Investment Foundation) who sponsors teenagers at Cal-Earth.

The project demonstrates how, with the simplest of elements, Earth, Wind, Water, and Fire, and with the ancient earth architecture techniques developed in the deserts of Iran and the Middle East, and traditional cultures from the Native Americans of the far west to China in the far east, whole communities could be developed in total harmony with the environment.

The process which has led to the permitting and building of this historic project with the support of Hesperia’s progressive City Council, Recreation and Park District, and Building and Safety, show that the American pioneering spirit still realize a vision of the new century.

“Hesperia Domes pass Seismic Test….Earth Architecture has made it to the big leagues” Victor Valley Daily Press

“`We think this design has the potential of revolutionizing the housing industry!’ said Hesperia Mayor.” Hesperia Resorter

” Cutting Edge Housing: In Hesperia Architect Nader Khalili is showing off his sandbag home… Malibu architect Eric Lloyd Wright, after viewing it said it’s just the kind of organic architecture his grandfather talked about, and engineering tests show it’ll hold up to earthquakes…” Los Angeles Times

“`We haven’t had people with this kind of vision since Frank Lloyd Wright died’, said Hesperia redevelopment manager….” Victor Valley Daily Press

“A Hesperia Architect has seen the future of affordable housing.” San Bernadino Sun

“His hope is to create truly low-cost housing in many parts of the world.” AIA Journal : Architecture

“The Excellence in Technology Award, California Council/American Institute of Architects, went to him for his work.” Los Angeles Times

“Without this spirit of pioneering no thoroughgoing changes can take place to create an environmentally harmonious architecture.” LA Architect

“…Creating a city from the dust under their feet using a variety of earthen construction techniques.” Automated Housing

“Making Bricks without Clay: Sandbags and barbed wire, often the materials of war, have become the building blocks of peace at Cal-Earth in Hesperia.” Daily Press

“…a family should be able to walk to a piece of land and build themselves a home without timber, steel or concrete. Just the earth alone should suffice.” Ceramic Monthly

“… a vision that could be of considerable value to architecture in development” Mima

Vaulted House

The 3-Vaulted house prototype has been in development since the mid-1980’s by Nader Khalili to allow the maximum space, light, and interior ventilation, while using the traditional form of the vault. The spaciousness of the interior design derives from this pattern of 3 offset vaults which allow a maximum view through the house’s open plan area, and from the height of the vault. The 3-vault system can be combined with domes and apses, or repeated back to back to form a variety of aesthetic and efficiently planned house designs.
A prototype 3-Vaulted house has been tested and approved for California’s severe earthquake codes and natural elements, in the harsh climate of the Mojave desert (over 100 degree F summer temperatures, freezing winters, flash floods, high speed wind, and the highest US earthquake zone 4).
The universality of the material and design has caused these houses to be considered for the moon and Mars by NASA scientists interested in in-situ utilization of planetary resources.

“Earth One”, the prototype 3 bedroom Superadobe house is now under construction at Cal-Earth.

Some features of the Earth One house and 3-vaulted designs are:

View through depth of two vaults increases a sense of interior space.

The offest vaults eliminate the need for corridors.

Simple design based on repetition of the single vault design unit simplifies construction.

More vaults can be added at a later time.

Variety can be introduced through the placement of windows and other small elements such as niches.

Arches and vaults are inherently beautiful, especially if repeated in a series.

A two storey wind-scoop faces prevailing summer breezes for cooling.

The vaulted curve of the roof, combined with the sun’s path overhead, creates sun and shade zones which encourage circular air movement inside the house.

Play of light and shadow minimizes the need for decoration.

The combination fireplace and wind-scoop enhances both heating and cooling functions (also called energy tower).

To review and purchase the “Earth One” blueprint set with 12 page specification see the Cal-Earth Products page. Additional plan variations start with a 1 or 2 bedroom house and grow to 4 or more bedrooms by adding vault elements. Dome elements can also be added for circular living spaces, meditation room, performance or music room, courtyard, pool, water cistern, root cellar and so on.
The environmentally friendly design uses on-site earth (or any kind of earth) with 99% wood/forest saving in contrast to conventional building systems. It has non-toxic interior finishes, utilizes solar and wind energy for passive cooling and heating. The self-help system directed towards U.N. requirements, for affordable housing with savings in material costs. It can also be integrated with standard contractors’ equipment and pumps. There is design flexibility for interior layout and artistic exterior finishes.

Emergency Shelter

EMERGENCY SHELTER
A spin off from Khalili’s Lunar/Mars habitat designs

Cal-Earth Institute is happy to humbly dedicate the following two pages to the overwhelming requests related to the latest series of disasters in the world. It is meant as a start to providing guidance for human shelter. Click here for the 2-page “Emergency Sandbag Shelter” pdf file. (Get Acrobat Reader) Cal-Earth Emergency Shelter Village Images

water in the boat
is the death of the boat
water under the boat
and the boat’s afloat
– Rumi

Natural disasters are human created disasters blamed on nature.

After a fire, hurricane, flood, or earthquake we immediately declare that this was a natural disaster, an act of God. Then we ask if we have insurance, or how soon will the goverment or U.N. come to help? And these are repeated and echoed in the media around the globe over and over again. But these are not the right questions. The right question is why did our house burn, fall apart, or get swept away? And when we have the chance to re-build it, why should we build it the same way and in the same place? Ultimately “natural disasters” are human created disasters blamed on nature.

The human impact in nature and its effects: pollution, deforestation, land mismanagement, the green house effect, and more, will undoubtedly accelerate the rate of disasters in the future. Added to that are the man-made disasters: millions of displaced humans, wars and human aggression and act of terrorism with its incalculable damage to human life and property. There is a sense of urgency to educate ourselves and our children to act more in harmony with nature, rather than insisting on dominating and interrupting the environmental process. As well as urgency to awaken to a new set of questions where we, and not nature or God, are to be blamed.

We must also prepare ourselves for the inevitable disasters. One of the best ways to shield against fire, flood, and storm may as well be with earth, water, air and fire. Nature does that itself. The equilibrium of the natural elements are the natural balancing acts among these universal elements.

To build simple emergency and safe structures in our backyards, to give us maximum safety with minimum environmental impact, we must choose natural materials and, like nature itself, build with minimum materials to create maximum space, like a beehive or a sea shell. The strongest structures in nature which work in tune with gravity, friction, minimum exposure and maximum compression, are arches, domes and vault forms. And they can be easily learned and utilize the most available material on earth: Earth.

Here, using a simple sandbag-and-barbed-wire technology, named Superadobe, designed by architect Nader Khalili, and developed by his associates and apprentices this documentary video shows how to:

# Use the materials of war (sandbags and barbed wire) to create a safe shelter in most regions of the globe as well as in your backyard.

# Utilize minimum amounts of purchased product and maximum amounts of the free earth under your feet.

# Participate in a family or community activity by building a shelter, or a sustainable community.

# Create a shelter with maximum protection against natural and man-made disasters.

United Nations Visit

In July of 2001 a visit from the United Nations headed by the Director of UNDP Emergency Response Division with his team from New York, participated in a Cal-Earth workshop for these Emergency Shelters; they slept in one to experience their quality. Their very positive response was recorded in the Reuters World News Agency article.

Cal-Earth Emergency Shelter Village Images

Superadobe Technology is designed by Nader Khalili, engineering by P. .J. Vittore, models of which have been constructed and tested for the City of Hesperia, California, Building and Safety Department, in consultation with I.C.B.O. (International Conference of Building Officials), in the forms of arches, vaults, and domes between 1993 and 1996. These successfully passed the California required codes for the models.

Superadobe is a patented system at the service of humanity. It is offered free to the owner builder. Licensing is required for commercial use.

The video “Emergency Shelter”, a documentary, is produced to be used as part of a set of learning tools developed and used during the apprenticeship training program at Cal-Earth Institute (such as the compass for the dome’s curvature, hands-on techniques, and so on). These can teach you, step by step, how to build. To learn how to build your emergency structure, you must begin with a small practice dome, a storage shed in your backyard for example, to understand hands-on all practical aspects of the tools and materials, after which you may have the skills to increase the size of your shelter.

By practicing to build the eight foot interior diameter dome we hope that you will learn how to shelter yourself in an emergency situation with some basic materials that can be stored in your closet or carried in your car trunk.

The students shown building in this video had never worked with earth before, but they built their 8 ft. diameter dome in a total of ten hours. They were participants of Cal-Earth’s apprentice course and were taught by a teacher. The students added niches, storage, plastering, and doors in the following days.

And in the following months Khalili, his associates and apprentices built many variations of small shelters each 120 sq. ft. or less in floor area which you can visit at Cal-Earth Institute.
Cal-Earth Emergency Shelter Village Images

Link to website: http://www.calearth.org/index.htm

Source: http://loveforlife.com.au/content/08/08/04/cal-earth-california-institute-earth-art-architecture-emergency-shelters-vaulted-ho

Save the Kimberley

We are an joining forces here working to educate the public and support community in protecting the unique environment and culture of the Kimberley. The Kimberley is one of the world’s last great wilderness areas and deserves real protection.

The Kimberley is currently under threat with a range of short-sighted industrial proposals threatening the sustainable tourism, Indigenous land management and pastoral future of the region. Most pressing is a proposal to build a massive LNG processing plant at James Price Point (JPP) 50km North of Broome.
The Kimberley Coast would suffer irreparable damage both environmentally and culturally under such a proposal with all its associated industrial impacts including shipping traffic, reef blasting, dredging and pollution – all in the breeding and nursery area for the worlds largest remaining population of Humpback whales.
The State Government has initiated compulsory acquisition of Indigenous land at James Price Point for the Woodside lead project in a move that has met with outrage across Australia and the world. Meanwhile the joint venture partners Shell, Chevron, BP and BHP continue to have reservations understanding that THERE ARE ALTERNATIVES – Browse basin gas could be:
1. Left in the ground, or
2. Piped to the Pilbara where there is established industrial infastructure, or
3. Processed via offshore floating technology under development.

Save the Kimberley does not oppose development. Save the Kimberley supports appropriate development that looks after people and the environment of the Kimberley.

THERE IS NO NEED TO PUT THE PRISTINE KIMBERLEY COAST AT RISK

See the protest today, latest media coverage – http://www.abc.net.au/local/stories/2011/07/05/3261383.htm?site=perth
http://www.theaustralian.com.au/

Search youtube or here is a clip from Tuesday –
 www.youtube.com/watch?v=r34uDl8EqCY&feature=player_embedded#at=14 7th July James Price Point blockade.wmv

Save the Kimberley groups
Send letters from the site http://www.savethekimberley.com/
http://www.givenow.com.au/savethekimberley

http://www.environskimberley.org.au/

Get Up Grass Roots Action For Australia – 
Vote for our cause to get assistance from this group that gets results – http://suggest.getup.org.au/forums/60819-getup-campaign-suggestions/suggestions/1896595-stopping-proposed-gas-refinery-at-james-price-poin

http://www.thepetitionsite.com/

Heart Breaking News

[-o-] Brothers, sisters, grandmothers and grandfathers of the world unite to send prayers and support to keep the oldest living culture alive and thriving!

Hoping you are all shinning bright today as we are trying hard to here in Australia right now.  And I was dreading the day I might have to call on people like yourself to help.  The time is here and i have come to ask you firstly, have you been kept in the loop with Oz issues?  Man, it is with the heaviest heart i call on u to loan ur support to end the secret war on the oldest surviving people, their culture and their land.

I am a proud young mother of 4 boys who has been brought up in the struggle, feeling today like I’m fighting my way out of a plastic bag.  We live in a tin shed n a dinged up van in picturesque North Stradbroke Island bushland, without water, toilet, shower, with a generator on at night 4 light.  We know this is important to carry on in the footprints of our ancestors, escape the assimilation push and raise our children with the space to grow.  

My partner and I teach traditional dance every saturday to get our culture strong and connect back to our mother earth. The biggest problem is we still don’t know our language – 17 survive so far out of 250 languages, we don’t have a single bit of family support here now, most have passed on.  TV is making our children complacent, trauma from oppression is even destroying the best of us quietly and we are only living to an average age of 60 at most.  

It is pressure i feel, being among the first generation of my line to be free, all my mothers before were forcibly removed, abused daily and made slaves until they could escape.  I survived Redfern, a heroin habbit, loosing my everything- my nanna’s my mumma, her brother, her sister, my culture teacher and alot of young ones taking their own lives.  

Believe it or not we have the highest incarceration rates in the world, they lock us up for mainly cussing, swearing and we are too spiritual for that cold confinement treatment.  So alot of us suicide or are killed by police violence.  Still not 1 police officer charged no matter how much evidence, we c whitewash year afer year. Like in South Africa, hundreads of deaths in custody.  Well, since i was 5, i can remember marching and crying at lack of justice alot, it’s getting worse, i feel it.

Now as we speak they/forces of police are violently moving our elders and supporters from a blockade to protect our sacred Kimberly, this world renowned beauty is about to be turned up to make way for a gas line.  All through our country we have veins called songlines, our ancient passages with their special songs and energy; they carried us to where we were going and into the ages.  My/our nightmare is that this ignorant government will never acknowledge us rightfully as their ancient brothers and sisters who are kind enough to share our home and who carry universal treasures for a new conciousness of balance and harmony that served us for millenia, when it really was The Lucky Country.  

We are ready to reclaim this for the world and we believe we can depend on the good of man to help us call for peace to end this silent war. 

We alone may acheive peace in the next 50 years here but with global awareness because of the lack of positive progress here, people power and political pressure on a global stage will up show these puppets and free the people within their strangle hold.  We have alot of supporters worldwide, we love you all for thinking of us although you are thousands of miles away and need to get this message to them all urgently.  We stand with all people suffering and are praying each day for your freedom too.  I don’t want to let anyone just take away my mother’s tongue when some of us, against all odds are so close to learning our traditional language after a generation gap of non speakers like in Hawaii and our Indian families.  We will have nothing for our children if we loose our language and let them spoil our pristine water and land.  Our language is key to our wellbeing and survival as the latest research revealed shows. We already know it to be the heartbeat of the land and the law connected to all living things is also in these languages.

And secondly, would you be willing to send prayers of support to keep the oldest living culture alive and thriving, please?  

The least we can do is ask individuals to think of us at the time when you pray or join with us each morning to pray for a brand new day for all doing it hardest.  At 6am your time or when you open you beautiful eyes and ask to c the beauty in the day, please also ask that the people of the land be free to live in peace and harmony and c more beauty everyday where they are.  I feel we need a spiritual revolution to nurture spiritual growth, conciousness and unity especially now that more can see the crippling conditions that most are not awake to, so that finally after 220 years of marshal law in this country for example, we can begin our healing and continue practicing our ancient traditions to fix this mess. 

We are ready but are only 1 million and majorly disadvantaged by trauma of oppression and poverty, in a universe of billions.  Please help us to hold on to the wisdom of our ancestors and the land we are now the caretakers of, together, we can turn, turn this situation around. Leave us to one day live in peace and celebrate as 1. I ask of the oppressor’s why you do this? How can we look after anything when we are wounded like this? You know with your ignorance we are to be depended on for having to look out for your children now too, because you are failing even this.  

With limited money I feel like we are in a straight jacket as I watch old people being man handled by men in uniforms while they sit protesting peacefully against a 30 billion dollar project to destroy another huge part of us.  If you can do more than pray, please do. Come, organise buses, food & support 4 protestors, care for our elders still protesting in winter or even an urgent letter writing campaign. Please see links below for how you can be part of this global movement to protect our roots. I invite you all on behalf of the First Australians who are concerned for our land, culture and all of our futures.  We hope you see how this can be of benefit to you and your family as it is like an investment to make available a huge piece of the global puzzle.

Thank you kindly for you time.  Many blessings of light love and laughter for a safe and happy journey together into our new day.

Kaiyu Bayles & Family

See the protest today, latest media coverage – http://www.abc.net.au/local/stories/2011/07/05/3261383.htm?site=perth
http://www.theaustralian.com.au/

Search youtube or here is a clip from Tuesday –
 www.youtube.com/watch?v=r34uDl8EqCY&feature=player_embedded#at=14
7th July James Price Point blockade.wmv

Save the Kimberley groups
Send letters from the site http://www.savethekimberley.com/
http://www.givenow.com.au/savethekimberley

http://www.environskimberley.org.au/

Get Up Grass Roots Action For Australia – 
Vote for our cause to get assistance from this group that gets results – http://suggest.getup.org.au/forums/60819-getup-campaign-suggestions/suggestions/1896595-stopping-proposed-gas-refinery-at-james-price-poin

http://www.thepetitionsite.com/

Speaking an Indigenous language linked to youth wellbeing:
http://www.abs.gov.au/ausstats/abs@.nsf/Latestproducts/4725.0Media+Release1Apr+2011?opendocument&tabname=Summary&prodno=4725.0&issue=Apr%202011&num=&view=

Australian Key Findings statistical information
https://thrivalinternational.wordpress.com/category/statistics-2/key-findings-australian-statistics/

Or check out our grapevine on fb, by becomming my friend, I can link you to our many interest groups.

http://www.facebook.com/pages/Save-The-Kimberley/146254135411987

Peacefully uniting to protect our oldest surviving people, culture and land
http://www.facebook.com/home.php?sk=group_186985498026447

“The most powerful weapon on earth is the human soul on fire.” Marshal Ferdinand Foch

[-0-] CELEBRATING BLAK HISTORY MONTH

Warning: Aboriginal and Torres Strait Islanders are advised this article may contain images and references to the deceased. 

#4 July 2011

Magabala Books

In September 1984 a traditional song and dance festival was held at Ngumpan, near Fitzroy Crossing in the Kimberley region of Western Australia. It was attended by more than two hundred people from communities throughout the region. The meeting voted for the establishment of a Kimberley Aboriginal Law and Culture Centre (KALACC). This meeting developed three main aims of KALACC and it was the third aim “Providing protection to traditional storytellers and artists in matters of copyright and publication”, that led to the establishment of Magabala Books. 

Releasing its first title in 1987, Mayi – Some Bushfruits of the West Kimberley by Merrilee Lands it was followed by Wandering Girl, an autobiography by Glenyse Ward. This book sold out within ten days of the launch and continued to be a bestseller for over a decade. Both were milestone moments for the publisher that has since released over one hundred titles from a range of genres and publishing books by Aboriginal and Torres Strait Islander people from all over Australia. 

Magabala is the Nyul Nyul, Nyangumarta, Karrajari and Yawuru traditional language word for the bush banana found on the west Kimberley coast. As the fruit hardens and dries, it prepares for the dispersal of its many seeds with their spectacular parasol-shaped aerofoils. Magabala Books views it’s publishing in much the same way, by spreading the seeds of culture. 

Based in Broome, Western Australia, Magabala Books is one of the remotest publishing houses in the world. It is also the oldest independent Indigenous publishing house in Australia. 

Would you like to read more about this Great Moment in Blakistory …
· http://www.magabalabooks.com/

Source: Sam Cook

The invasion of Australia Australia’s forbidden word has been uttered at last. And with it is comes a new Aboriginal articulacy

The City of Sydney council has voted to replace the words “European arrival” in the official record with “invasion”. The deputy lord mayor, Marcelle Hoff, says it is intellectually dishonest to use any other word to describe how Aboriginal Australia was dispossessed by the British. “We were invaded,” said Paul Morris, an Aboriginal adviser to the council. “It is the truth and shouldn’t be watered down. We wouldn’t expect Jewish people to accept a watered-down version of the Holocaust, so why should we?”

In 2008, the then prime minister Kevin Rudd formally apologised to Aborigines wrenched from their families as children under a policy inspired by the crypto-fascist theories of eugenics. White Australia was said to be coming to terms with its rapacious past, and present. Was it? The Rudd government, noted a Sydney Morning Herald editorial at the time, “has moved quickly to clear away this piece of political wreckage in a way that responds to some of its supporters’ emotional needs, yet it changes nothing. It is a shrewd manoeuvre.”

The City of Sydney ruling is a very different gesture – different, and admirable; for it reflects not a liberal and limited “sorry campaign”, seeking feel-good “reconciliation” rather than justice, but counters a cowardly movement of historical revision in which a collection of far-right politicians, journalists and minor academics claimed there was no invasion, no genocide, no stolen generations, no racism.

The platform for these holocaust deniers is the Murdoch press, which has long run its own insidious campaign against the indigenous population, presenting them as victims of each other or as noble savages requiring firm direction: the eugenicists’ view. Favoured black “leaders” who tell the white elite what it wants to hear while blaming their own people for their poverty provide a PC cover for a racism that often shocks foreign visitors. Today the first Australians have one of the shortest life expectancies in the world and are incarcerated at five times the rate of black people in apartheid South Africa. Go to the outback and see the children blinded by trachoma, a biblical disease, entirely preventable. The Aboriginal people are both Australia’s secret and this otherwise derivative society’s most amazing distinction.

In its landmark rejection of historical propaganda, Sydney recognises black Australia’s “cultural endurance” and, without saying so directly, a growing resistance to an outrage known as “the intervention”. In 2007, John Howard sent the army into Aboriginal Australia to “protect the children” who, said his minister, were being abused in “unthinkable numbers”. It is striking how Australia’s incestuous political and media elite so often rounds on the tiny black minority with all the fervour of the guilty, unaware perhaps that the national mythology remains culpably damaged while a nationhood, once stolen, is not returned to the original inhabitants.

Journalists accepted the Howard government’s reason for “intervening” and went hunting for the lurid. One national TV programme used an “anonymous youth worker” to allege “sex slavery” rings among the Mutitjulu people. He was later exposed as a federal government official. Of 7,433 Aboriginal children examined by doctors, just four were identified as possible cases of abuse. There were no “unthinkable numbers”. The rate was around that of white child abuse. The difference was that no soldiers invaded the beachside suburbs; no white parents were swept aside, their wages diminished and welfare “quarantined”. It was all a mighty charade, but with serious purpose.

The Labor governments that followed Howard have reinforced the new controlling powers over black homelands, the strict Julia Gillard especially – she who lectures her compatriots on the virtues of colonial wars that “make us who we are today” and imprisons refugees from those wars indefinitely, including children, on an offshore island not deemed to be Australia, which it is.

In the Northern Territory, the Gillard government is in effect driving Aboriginal communities into apartheid areas where they will be “economically viable”. The unspoken reason is that the Northern Territory is the only part of Australia where Aborigines have comprehensive land rights; and here lie some of the world’s biggest deposits of uranium, and other minerals.

The most powerful political force in Australia is the multibillion-dollar mining industry. Canberra wants to mine and sell, and those bloody blackfellas are in the way again. But this time they are organised, articulate, militant. They know it is a second invasion. Having finally uttered the forbidden word, white Australians should stand with them.

• John Pilger’s film, The War You Don’t See, is available

Source:    http://www.guardian.co.uk/commentisfree/2011/jul/01/invasion-australia-forbidden-word-aboriginal

[-0-] CELEBRATING BLAK HISTORY MONTH

Warning: Aboriginal and Torres Strait Islanders are advised this article may contain images and references to the deceased. 

#5 July 2011

Damian Smith

Damian Smith, (1973 – ) Born New South Wales, Damian was raised in government housing by a widowed, single mother in the Industrial city of Newcastle. As one of six children, his interest in performance came through chance when at the age of ten, his mother was given tickets to the ballet. It was here that his love began. His natural ability was impressive and under the tutelage of Robin Hicks, he began to train free of charge. Being teased and bullied did not deter him and it was not long before he received a scholarship to perform at the McDonald College School of Arts, creating a safe space to explore and hone his craft with likeminded peers. 

With a dream to have lessons with Baryshnikov, Damian was supported to attend and audition for the School of American Ballet. On the strength of his first audition, he was signed up and began his international pathway through the arts. He was almost 17. 

After dancing with Ballet du Nord, he joined San Francisco Ballet in 1996. He was promoted to soloist in 1998 and to principal dancer in 2001 at the age of 27. Preparing for his inevitable retirement, Damian returned to Australia to present International Stars of Ballet in Noosa, Queensland. Through his remarkable journey hopes to be seen as a role model for Indigenous children.

Would you like to read more about this Great Moment in Blakistory …
· http://www.sfballet.org/about/company/dancers/view.asp?id=12340020
· http://www.abc.net.au/tv/messagestick/stories/s3064647.htm

Source: Sam Cook

[-0-] CELEBRATING BLAK HISTORY MONTH

Warning: Aboriginal and Torres Strait Islanders are advised this article may contain images and references to the deceased. 

#3 July 2011

Torres Strait Islander Railway Workers

The modernization of Australia and its foundation of vital mining and economic pathways, owes a significant debt to the blood, sweat and song Torres Strait Islander community. Officially permitted to travel to mainland Australia in 1947 Torres Strait Islander workers were primarily sought to fill the labour shortage in the agricultural industry. In the 1960s, many men, moved to the mainland to support their families. It was here they found employment building railways to mines in Mount Isa and Weipa in Queensland, and in the Pilbara and Port Hedland regions of Western Australia. 

The work was tough and so was being away from family and country. Some Torres Strait Islanders would never return to their homelands. One of the noted rail gangs was led by Father Elemo Tapim. Comprised mostly of Eastern Torres Strait Islanders, they began work constructing the massive Queensland and Western Australian inland rail system. In doing this they documented every mile in a remarkable collection of songs in the Meriam language. The songs created by the Eastern Torres Strait Islanders also act as a roadmap for future generations – figuratively and literally inadvertently mapping the tracklines from outback Queensland and remote Western Australia in song.

To this day, one Torres Strait Islander railroad gang holds the world record for laying track by hand. On the 8 May 1968 they laid 7¼ miles of track in 12 hours. This took 910 tons of rail and 13,000 sleepers. 

Would you like to read more about this Great Moment in Blakistory …
· http://www.abc.net.au/local/stories/2007/05/23/1930521.htm
· http://railwaysongs.blogspot.com/2009/02/torres.html
· http://aso.gov.au/titles/documentaries/island-fettlers/clip2/?nojs

Source: Sam Cook

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