[-0-] CELEBRATING BLAK HISTORY MONTH

Warning: Aboriginal and Torres Strait Islanders are advised this article may contain images and references to the deceased. 

#5 July 2011

Damian Smith

Damian Smith, (1973 – ) Born New South Wales, Damian was raised in government housing by a widowed, single mother in the Industrial city of Newcastle. As one of six children, his interest in performance came through chance when at the age of ten, his mother was given tickets to the ballet. It was here that his love began. His natural ability was impressive and under the tutelage of Robin Hicks, he began to train free of charge. Being teased and bullied did not deter him and it was not long before he received a scholarship to perform at the McDonald College School of Arts, creating a safe space to explore and hone his craft with likeminded peers. 

With a dream to have lessons with Baryshnikov, Damian was supported to attend and audition for the School of American Ballet. On the strength of his first audition, he was signed up and began his international pathway through the arts. He was almost 17. 

After dancing with Ballet du Nord, he joined San Francisco Ballet in 1996. He was promoted to soloist in 1998 and to principal dancer in 2001 at the age of 27. Preparing for his inevitable retirement, Damian returned to Australia to present International Stars of Ballet in Noosa, Queensland. Through his remarkable journey hopes to be seen as a role model for Indigenous children.

Would you like to read more about this Great Moment in Blakistory …
· http://www.sfballet.org/about/company/dancers/view.asp?id=12340020
· http://www.abc.net.au/tv/messagestick/stories/s3064647.htm

Source: Sam Cook

[-0-] CELEBRATING BLAK HISTORY MONTH

Warning: Aboriginal and Torres Strait Islanders are advised this article may contain images and references to the deceased. 

#3 July 2011

Torres Strait Islander Railway Workers

The modernization of Australia and its foundation of vital mining and economic pathways, owes a significant debt to the blood, sweat and song Torres Strait Islander community. Officially permitted to travel to mainland Australia in 1947 Torres Strait Islander workers were primarily sought to fill the labour shortage in the agricultural industry. In the 1960s, many men, moved to the mainland to support their families. It was here they found employment building railways to mines in Mount Isa and Weipa in Queensland, and in the Pilbara and Port Hedland regions of Western Australia. 

The work was tough and so was being away from family and country. Some Torres Strait Islanders would never return to their homelands. One of the noted rail gangs was led by Father Elemo Tapim. Comprised mostly of Eastern Torres Strait Islanders, they began work constructing the massive Queensland and Western Australian inland rail system. In doing this they documented every mile in a remarkable collection of songs in the Meriam language. The songs created by the Eastern Torres Strait Islanders also act as a roadmap for future generations – figuratively and literally inadvertently mapping the tracklines from outback Queensland and remote Western Australia in song.

To this day, one Torres Strait Islander railroad gang holds the world record for laying track by hand. On the 8 May 1968 they laid 7¼ miles of track in 12 hours. This took 910 tons of rail and 13,000 sleepers. 

Would you like to read more about this Great Moment in Blakistory …
· http://www.abc.net.au/local/stories/2007/05/23/1930521.htm
· http://railwaysongs.blogspot.com/2009/02/torres.html
· http://aso.gov.au/titles/documentaries/island-fettlers/clip2/?nojs

Source: Sam Cook

[-0-] CELEBRATING BLAK HISTORY MONTH

Warning: Aboriginal and Torres Strait Islanders are advised this article may contain images and references to the deceased. 

#2 July 2011

Freda Glynn

Freda Glynn spent her early childhood in and around Alice Springs in the Northern Territory. She was one of forty children to be evacuated from Alice Springs during World War Two following Japanese advances into the Pacific, particularly the bombing of Darwin and Katharine. With her mother and sister, she travelled via Melbourne to a Church Missionary Society evacuee camp in the Blue Mountains. 

In 1980, with John Macumba and Philip Batty, Freda Glynn co-founded the Central Australian Aboriginal Media Association Group of Companies (CAAMA). CAAMA incorporates Imparja, the first Aboriginal commercial television station, which commenced broadcasting in 1988 in Alice Springs and was chaired by Glynn for a time. Imparja was responsible for broadcasting Urrpeye, an Aboriginal current affairs program. Freda Glynn also established the first licensed Aboriginal radio station, Radio 8KIN FM, broadcasting in regional languages. 

In 2002, she played Grandma Nina in the short film Shit Skin, a drama about a young man who takes his grandmother back to the place of her childhood so that she can reconnect with her surviving family. In May 2002, Glynn received the Award for Contribution to Indigenous Media at the Third Tudawali Indigenous Film and Video Awards held at the Sydney Opera House.

Would you like to read more about this Great Moment in Blakistory …
· http://www.womenaustralia.info/exhib/cal/glynn.html
· http://www.abc.net.au/rn/talks/8.30/mediarpt/stories/s898147.htm
· http://homepage.mac.com/will_owen/iblog/C570458628/E20060217214941/index.html
Source: Sam Cook